Copeland and Garrett period Pattern Numbers 6057, 60, c.1834 shown in the Pattern Book on a Covered Jar, Plate and Tile.
From around 1800, most of the patterns painted by Spode's artists were recorded in Pattern books.
These books contain watercolour paintings of tens of thousands of patterns made from about 1800 up to the end of production at the Church Street factory.
Many are beautiful works of art in their own right; taken together, their importance rests in part in their completeness, but also as a historic document of changing design styles over two centuries.
Georgian simplicity, Regency opulence, Victorian naturalism, sentimentality, Pre-Raphaelite styles, Japanese revival, Arts and Crafts, Art Deco, 1950s modernism and late 20th century designs are all there, including the originals of iconic patterns still in production, such as Christmas Tree, Woodland and Stafford Flowers.
A Brief History of Spode Josiah Spode apprenticed as a potter in the mid-1700s, and by 1754 he went to work for William Banks in Stoke-on-Trent, Staffordshire, England.
He went on to start his own pottery business making cream-colored earthenware and whiteware with blue prints.
In 1770, he took over as master of Banks’ factory, and ended up purchasing the business in 1776, according to century, Spode introduced bone china.
In 1805, Josiah Spode II and William Copeland entered into a partnership for the London business.
A Series of partnerships between Josiah Spode II, Josiah Spode III and William Taylor Copeland resulted.